
I stayed up and out late last night by The Ruins in Talisay City, my head heavy with a library of stories to write about while forking the remains of my slice of Brazo de Mercedes and guzzling down the footnotes to my interviews with beer. In the middle of sugarcane fields stands what was left of a mansion of Italian architecture which was built in 1920s and was burnt right before the Japanese occupation. Roofless and without doors and windows, a sky of stars blankets over the ruins, and a play of shadows and dim light surrounds it; that, and an orchestra of crickets.
Excuse me for the long sentences. I just woke up and my brain bleeds with article ideas from my conversation on my way to the site with the owner's wife, thoughts both moving and wishful from the owner himself, menu moments with the young chef while my panna cotta waits to be judged accordingly, up to the vivid memories shared by the only remaining daughter-in-law of the man behind the mansion. Of course, the structure, the ruins could spawn a novel, an epic itself from how it was built up to how it withstood the fire and the elements of time and weather for more than 80 years.
For sure, just as it was not constructed overnight but over sleepless nights as continuous pouring of a Grade A mixture of concrete was said to have been the SOP, I could not possibly solve the puzzles and rebuild the mansion by picking up its pieces in a day. I would be needing nights and have to let my brain bleed some more. If only I could write in blood.